Words by LargeUp Crew
Cover Photo by Varun Baker
It’s a tough job, but someone’s gotta predict the future of Caribbean music.
In each of the last four years, we’ve endeavored to do just that with our annual Artists to Watch list. Chronixx, OMI and Kabaka Pyramid are a few of the artists who got some of their earliest looks in the feature, well before they became the widely known stars of today. Sometimes, we’ve been too ahead of the game for our own good: Breakout soca star Olatunji and U.K. deejay Randy Valentine might seem like good candidates for this year’s list, but we already had them covered back in 2014 and 2015, respectively. (We had OMI on the list back in 2013, two years before “Cheerleader” became a hit.)
This year, we wanted to go a bit deeper, and get to know each featured artist a little better, so we sent them all a list of identical questions. (Yes, that explains why we’re just getting around to sharing these picks as we head into February).
Read on, get familiar, and tell us which Caribbean artists you’re watching in 2016.
Special thanks to Joan Webley and Nanook.
The son of local music icon Bankie Banx and a former member of the West Indies cricket team, Omari Banks is already one of the most recognizable people on his home island of Anguilla. Since dropping his debut EP, Move On, last February, he’s been on the road, introducing listeners in North America, Europe and Jamaica to his folk-y, introspective brand of reggae. Omari brings serious musical and vocal chops to the table, as well as a distinctive viewpoint and an engaging, open personality: He’s a great ambassador for his corner of the Caribbean. —Jesse Serwer
How would you describe your sound?
I would describe my sound as fusion of my influences. I’ve been brought up with an appreciation for different genres and live music. Reggae, soul, R&B and rock are the main elements that you hear coming out in my music.
Tell us a little bit about the place you come from…
I’m from a tiny country in the Eastern Caribbean called Anguilla. The population is roughly 13,000 and the size is 35 square miles. We are a friendly and ambitious people.
Tell us about the moment where you knew you had broken through as an artist…
I think back in 2014, when I started getting awards on my island for music and people were playing my music and at clubs. I started to realize that I had broken that first barrier of being respected at home. That was a great feeling.
What were your highlights in 2015?
A highlight for 2015 was my single “No Point to Prove” featuring Peetah Morgan charting in Jamaica and in Europe, and then following that up with a successful European tour with Morgan Heritage.
What should we expect to see and hear from you in 2016?
You should expect new releases and another EP. A lot of work right now is going into that. As well as tour dates for spring and summer.
LU: What artists are you watching in 2016?
I’m a music lover so it’s a hard question because I watch a lot of artists. In reggae, I would say Morgan Heritage, Jah Cure, I-Octane, and Chronixx. Outside of reggae, John Mayer, Gary Clark Jr. and Joe Bonamassa.
Representing Seaview Gardens, the same Kingston community which gave us Bounty Killer, Shabba Ranks and Elephant Man, Dexta Daps is already well on his way to becoming dancehall’s next marquee name. The young artist was responsible for some of 2015’s biggest hits in Jamaica, including “7 Eleven,” and “Shabba Madda Pot.” It seems that he’s just getting started; with the latter still picking up traction, and a gang of new tunes dropping, expect to hear this Daseca affiliate’s voice even more frequently this year. —Jesse Serwer
How would you describe your sound?
My sound is different. That’s the main thing I always try to achieve during my creative process… I also try to bring sexiness into dancehall, while maintaining that hardcore edge.
Tell us a little bit about the place you come from…
Where I come from it’s like a college. Along the way, you learn about all aspects of life. Seaview Gardens, you know, it’s the kind of place that teaches you to learn every level of life and aim to be anything you want…trades or a doctor you can be if you want… it’s also the home of some of the greatest Jamaican artistes.
Tell us about the moment where you knew you had broken through as an artist…
I knew it had started to happen when my phone just started going crazy… Everybody started calling my phone, and asking for dubplates. I knew the tables were turning, because I used to be asking people if they want dubs.
What were your highlights in 2015?
Well, I’ve been traveling almost every week around the world. There has been a lot of memorable performances and experiences, and then of course “7 Eleven,” “Morning Love,” “Shabba Madda Pot,” and “Jealous Ova.” Those were some of my biggest musical highlights that set the standards… it let people know that we can do it. It gave us some roots, so we know the tree is growing.
What should we expect to see and hear from you in 2016?
Continued growth in my career. I’m currently working on my debut album. I also have a lot of shows coming up that I’m really looking forward to. It’s going to be a very busy year on the road for me,and I have to make sure the tree keeps growing. You can stay updated with me along the way too at DextaDaps.com…all my music, videos, concert listings, its all there for you.
What artists are you watching in 2016?
What do you mean? Dexta Daps…lol. Let me tell you who I’m watching: Tifa, Spice, all of the female artists. That’s who I’m watching.
Ricardo Drue is on the fast track to worldwide stardom. In a few short years, the reigning Antiguan Soca Monarch has become a brand ambassador for Digicel, had June 21st, 2014 proclaimed “Ricardo Drue Day” by the city of Boston, and became the first of his countrymen to place in Trinidad and Tobago’s International Soca Monarch competition with his breakthrough track, “Vagabond.” Recently, “All About That Bass” singer and international pop star Meghan Trainor tweeted that she couldn’t get his track “BET” out of her head. With everything pointing to more success for Ricardo in 2016, how could we not have him on this list? –Tishanna Williams
How would you describe your sound?
A mix of old-school soca and lavwey — stickfight call-and-response chants — combined with modern lyrics and melody. Funny enough, I didn’t understand what lavwey was at first. It was actually Nadia Batson that explained it. She told me, “When it hits you, it supposed to make you want to dance immediately…” and she did a little dance. That was the vibe I wanted for my music, so we connected with some great producers and writers to create that sound.
Tell us a little bit about the place you come from…
I was born in Antigua with some of the best beaches in the world — you should visit — and about two months later I was taken to the land of oil and music, Trinidad. I lived in South Trinidad in a place called Green Acres, then we moved to another community known as Coceyea. After that we moved to Florida. I wasn’t very happy about that at first, because I missed Trini. but I came back years later and then went to Antigua.
Tell us about the moment where you knew you had broken through as an artist...
December 27th, 2014. I performed at a show called “Soca or Die” for Dr. Jay in Toronto. The entire performance felt surreal. I was moving at normal pace, but the crowd felt like it was moving in slow motion. I could see and feel the energy of every individual in that moment. I knew I was onto something.
What were your highlights in 2015?
I traveled and saw places I never thought I would see. I performed in Belize to people who did not know English, but knew my songs word for word. Also, placing in Trinidad and Tobago International Soca Monarch competition was big for me.
What should we expect to see and hear from you in 2016?
We have a record called “Professional” geared towards the professional drinker, and “BET,” which we will be performing for the ISM finals. #Betmehnah. We also have a track with Blaxx called “Day Ones” which focuses on those friends that have been down for you from day one.
What artists are you watching in 2016?
When I am working I have blinders on, so I tend not to focus on anyone else, but if I had to say who was the most impressive this year, I would say Voice. He’s written for some pretty popular artistes in the past, but he himself has been knocking on the door for a while, and this year he has been given the opportunity. I am very pleased and happy for him.
Haitian Carnival is a celebration of personal freedom full of biting satire, and the sounds of traditional bands known as bande a pye. Each bande a pye (who can also be found playing during Easter and other special occasions) is generally associated with a specific neighborhood; a number having etched their place into Haitian history, such as Otofonik, Titato, and Soul Rasta. A new name to add to this group of elite bands is Petion-Ville’s Follow Jah. Follow Jah has 18 members, some playing different instruments at the same time, showing incredible mastery of an almost 100-year-old tradition. Their name firmly established in Port-au-Prince, Follow Jah are now taking bande a pye culture to the world. They are perhaps the only bande a pye to have played in Europe, and were recently featured in this documentary with Stephen Colbert bandleader Jon Batiste. —Adolf Alzuphar
How would you describe your sound?
Our music is festivity music. It is Carnival music. Every year, during Carnival, bande a pye members come together, compose, practice, produce our songs, and we proceed to play them all round the city. Our instruments are either made locally or from found objects. Our music is a mix of wind instruments and percussions. We are rooted in tradition, very close to the rara tradition, all the while being unique and influenced by others.
Tell us a little bit about the place you come from…
Follow Jah is from Petion-Ville. We are a neighborhood band, true to Petion-Ville, and also a family band; many of our members are related.
What were your highlights in 2015?
We’ve had a very productive 2015. We collaborated with the French jazz pianist Laurent de Wild at the International Jazz Festival of Port Au Prince, and we presented a staged performance for the first time at the very first Rencontres Des Musiques du Monde in Port-au-Prince. We collaborated with James Germain and Emeline Michel. Carnival and Easter was great for us this year as it is every year!
What should we expect to see and hear from you in 2016?
We are going on tour in France, Belgium and in Switzerland. We are touring for two months starting in April. Planning the tour has been hard for us in terms of traveling with a reduced band (ten people) and we’d really like to wow European crowds. We’ve also produced our very first video.
What artists are you watching in 2016?
All music interests us! We are just starting an international career, so we are particularly watching musicians that we can collaborate with. The list includes marching bands steeped in tradition, groups that are open for collaboration and artists that are original and very creative. None of our doors are closed!
Since bursting onto the music scene a couple of years ago, Dre Island has carved a solid reputation as a formidable and gifted artist, one charged with the responsibility of mass empowerment and social narration through lyric and song. After coming to international attention in 2014 with his mixtape Rastafari Way, 2015 brought several leaps forward for the Kingston-raised singjay, as he showcased his diversity with a variety of quality tunes in different styles. There was the dancehall hit “Way Up,” the classic reggae vibes on “On Time,” a future-leaning take on the genre in “M16,” and a collaboration with U.K. crooner Tom Prior on charity track “Apple Tree” on which he also plays piano. All, however, was gearing towards the release of his upcoming album Project Now I Rise, due out in May on E5 Records. Everything seems to be falling into place for Dre, making him one of our top Artists to Watch for 2016.—Nadine White
How would you describe your sound?
Reggae, for sure! My roots is reggae. I mean, I travel all around and have fans from different cultures so it’s important that everyone feels that theirs is being respected which I always try my best to do.
Tell us a little bit about the place you come from…
I grew up in Kingston, Jamaica in a community called Common Sense located on
Red Hills Road. It’s a garrison area; I grew up hearing music and seeing different entertainers such as Daddy Lizard, Flourgon and Red Dragon, who all come from the area.
Tell us about the moment where you knew you had broken through as an artist
I don’t really know about a ‘breakthrough’ or ‘buss’ because, for me, it’s always about growth. But since I released my first mixtape Rastafari Way in 2014, everything changed.
What were your highlights in 2015?
I would have to say the UK tour with Chronixx and the Zinc Fence Redemption Band; the Somerset House [show on December 7th], in particular, was a great experience.
What should we expect to see and hear from you in 2016?
Well, I’ll be taking place later on in the year with my band – Jah Kingdom so we’re really excited about that and my first EP, Project Now I Rise ,will also be released.
What artists are you watching in 2016?
There’s an artist by the name of Versatile who I am listening to at the moment – I have his EP at the moment and think fans will love it. When I was in the U.K., I came across a London-based artist by the name of Steph London – what I witnessed her put down in the studio, I’ve never seen a woman do. She’s really good! And Tom Prior, I like his sound too. You done know, Chronixx, Popcaan and Vershon are two very talented artists. And Dexta Daps is another gifted artist I’m looking forward to seeing do great things this year. He’s a real, real songwriter too.
Fresh off a well-received performance at Sting, and with several singles getting extensive rotation in Jamaica, 24-year-old Jahmiel Foster is poised to be a dominant force in 2016. The Portmore-born singjay began recording at 12, releasing tracks with Young Vibez, TJ Records, Brit Jams, U.I.M. and Head Concussion Records. The Quantanium Records production “Gain the World” is Jahmiel’s biggest song to date, landing a slot on the latest edition of VP Records’ Strictly the Best. Currently signed to City Rock Entertainment in Dallas, Texas, the budding young star is also receiving love from fellow artists, like the Gully God Mavado, who called Jahmiel out on stage during his recent Rebel Salute performance. Jahmiel has already proven his ability to seamlessly blend reggae and dancehall genres in a creative and refreshing style. He writes his own lyrics, all infused with positive messages of hope and determination. This talented voice is surely an artist to look out for in 2016. —Selector Iscious
How would you describe your sound?
My sound comes from a place of truth. If I had to use a word or two to describe it, I would say mature and bass and sincere.
Tell us a little bit about the place you come from…
I come from a place in Portmore, St. Catherine called Passage Fort. I grew up in a mixed community, with some middle-class families. Passage Fort is a unified community, a loving set of people and a community of musicians and lovers of music. In the community, we had our studio, which we could go and voice and freestyle.
What were your highlights in 2015?
Seeing the success of “Gain the World” and how it hit so many charts across the world and even received No.1 recognition on many charts outside of Jamaica. Also the follow up success and love for “True Colours” as I felt the masses beginning to gravitate to my music. Sting was another highlight for me. It was my first time getting a major billing at Sting.
What should we expect to see and hear from you in 2016?
Look out for more positive, uplifting music and bigger and better things from Jahmiel. People can also look out for me in their city, as I begin to get bookings outside of Jamaica.
Which artists are you watching in 2016?
To be honest, the music can be so spontaneous, you never know who can stand out. You have a whole lot of talented youths, just like no one knew Jahmiel would of been that “next” artist. I know that nuff great ones are out there and the world and myself will soon see and hear them as well.
Mixing R&B and pop with her own island vibes, Mink Jo has been rapidly gaining exposure in Jamaica. Her versatile style, which has a touch of Rihanna, has quickly led to collaborations with some of Jamaica’s major artistes and producers, including Konshens and Busy Signal. Most recently she collaborated with Leftside, aka Dr. Evil, on their single “All Out,” produced by Kepleft Productions. As she gears up for more releases this year, expect to hear a lot more from this new fresh new face in Jamaican music. —Kalifa Madden
How would you describe your sound?
I would describe my sound as a fusion of dancehall/pop with of course the Jamaican attitude and flare we have.
Tell us a little bit about the place you come from…
I come from the biggest dot in the world — Jamaica. It’s a place where you can find some of the most beautiful beaches, people and culture that’s unique. It’s so awesome that a vacation getaway is always around the corner, even in the city of Kingston.
What were your highlights in 2015?
My highlights for 2015 would be, being scouted by my management Brand New Machine, releasing my first EP, BOY.GIRL.LOVE, the support behind it and the collaborations in it, doing my first official video for “Roll Up” on the Sean Paul-produced Full Speed riddim, being trained by movement coach and top choreographer, Tanisha Scott, performing around my country and seeing the growing support via social media, and in the media.
What should we expect to see and hear from you in 2016?
New track releases and collabs. “Right Now” featuring Farenheit, and “How I do It” featuring Brazzabelle from Mad Decent. Also video releases for “Fall Back” produced by Justus and “No FriendZone” Featuring Konshens. I wanna also utilize my YouTube more so hopefully a few more vlogs, so my supporters can feel more acquainted with me.
What artists are you watching in 2016?
I like to stay in my lane and focus on my craft, so I’m not watching any artists; I’m watching myself right now.
At first glance, you might take the arresting presence of Racquel Jones as that of a model or actress… and you’d be right. She’s made significant strides in both disciplines over the years. The first runner-up in the 2012 Miss Universe Jamaica competition, she was featured in the New Caribbean Cinema anthology film Ring Di Alarm and starred in a video for The Weeknd’s “Wicked Games” directed by Storm Saulter. Recently, Racquel has added recording artiste to her repertoire, hitting the studio in Jamaica and the U.S. with fiery and equally interesting music, which is already being quite well received. —Tami Tsansai
How would you describe your sound?
My sound is an unprecedented, eclectic fusion of poetry, dancehall, “bongo natty” dub reggae, hip-hop and intricate lyricism.
Tell us a little bit about the place you come from…
I’m from the lush, rainy, beautiful, exclusive parish of Portland. Growing up there crafted the core balance of who I am. Mainly because of the people’s ability to understand humility through living with limited resources while still understanding how rich, special and priceless they are — an example set by the place that gave birth to them. Portland is unbelievable.
Tell us about the moment where you knew you had broken through as an artist.
I am humble enough to know I haven’t fully broken through as an artist. But things like having Rory from Stone Love as my producer, having my music played on BBC 1Xtra by David Rodigan; the respect of the inimitable Mutabaruka (reflected in his constant air play of my songs) and being in Washington DC right now recording with the world-renowned Thievery Corporation makes me cognizant of the fact that I’m well on my way.
What were your highlights in 2015?
Meeting Rory Stone Love and Kamron Winge, who is currently my manager; having Thievery Corporation reach out to me to do a record; and finally figuring out what my sound is.
What should we expect to see and hear from you in 2016?
I have no conditions or limits on my expectations for myself and I would hope that you have none of me as well. I just want to make art.
Which artists are you watching in 2016?
Every single young, emerging, revolutionary mind.
The partnership of Trinidad-based percussionist and producer Keshav Singh (aka LazaBeam) and British DJ/producer Sam Chadburn (known as Interface), Jus Now are pushing soca music into the future. With a sound that pulls from Trinidad’s tribal percussion traditions as well as British bass culture, the duo have successfully paired Trini and U.K. talent on tracks like “Cyah Help It” with Bunji Garlin and Ms. Dynamite. (On his own, LazaBeam has also been producing Carnival-minded tracks for Bunji, Machel Montano, Ataklan and others). Fresh off their recent Feel Up Records EP Cyah Help It, the duo are set to release their debut LP later this year. —Jesse Serwer
How would you describe your sound?
Interface: I once described it as “Tribal Bladerunner”! We like to fuse ancient percussive riddims with bass-heavy futuristic sound design.
Lazabeam: Auto-update historical music with futuristic tendencies and a heavy reflection of our upbringings. Aggressive with sensitivity. Tringlish.
Tell us a little bit about the place you come from…
Interface: I grew up in Glastonbury, home of one of the most famous and diverse music festivals in the world. I first visited the festival in my mother’s womb, and it has had a huge impact on my life ever since. Unfortunately when the festival isn’t on, Glastonbury is a pretty boring place so I left Glastonbury in my late teens and moved to nearby Bristol: An amazing city with a strong sound system culture and a rich history of groundbreaking electronic music.
Lazabeam: I’m from Trinidad & Tobago, which is the southernmost island in the Caribbean. We’re a multicultural society that’s seen an interesting colonial past, having led to our uncommon diversity. Calypso, Limbo, Steel Pan, Soca, Doubles and Jillionaire come from my country. The old and new world converge in T&T. We’ve got African, Indian, Chinese, English, French, Spanish, Portuguese, Dutch, Syrian and Lebanese heritage. It’s because of this we have a unique musical palette.
Tell us about the moment where you knew you had broken through as an artist…
Interface: Part of me feels like that hasn’t actually happened yet. I think when I tuned in on the radio to hear the legend David Rodigan in a BBC soundclash with Zane Lowe and intro our track “Tun Up” featuring Bunji Garlin. He talked at great length about how he felt it was the kind of track that could cause a “Deep Forward,” a forward from the back of the lawn! I definitely felt like I had made it at that point!
Lazabeam: Not sure that’s happened as yet. Every moment on stage for Sam and I has to be a breakthrough, and if it isn’t then it doh feel right. We feel fortunate to be able to be given that chance.
What were your highlights in 2015?
Interface: We started the year in Brazil. It’s been a lifelong dream of mine to visit Brazil and it didn’t disappoint! We also spent a few weeks in Trini working with the legendary Leston Paul. Linking with Ms. Dynamite and putting her on a riddim with Bunji Garlin was also a big highlight!
Lazabeam: We got to tour a couple cities in Brazil and that was something that left a lasting impression. Glastonbury Festival is one of the most prestigious that one can play at and this was our 3rd in a row. It remains one of the moments that we look forward to each year, equally as anticipated as Trinidad Carnival.
What should we expect to see and hear from you in 2016?
Interface: We spent most of 2015 locked in the studio and we are now sitting on a large body of work that we are very excited about. We are now working out how to present that body of work to the public. Keep an eye on our socials for more info.
Lazabeam:Album.
What artists are you watching in 2016?
Interface: There is a huge amount going on in Manchester U.K. right now, the collective pride and spirit in the city is really inspiring. There are so many sick artists coming out of that city — the crews Levelz, Grey Collective and Swing Ting are a good place to start. Our homie Poté has got some sick stuff going on right now, too. Watch out for a young female rapper by the name of Nadia Rose, she is gonna have a big 2016. Over in T&T, there is a young artist by the name of Chalmer John that I think has a very bright future. He recently spent a month in the U.K. working with us so hopefully you will be hearing him soon.
Lazabeam: We’re always looking and listening for new music that move us. Ibeyi made a big splash with their first album and I’m curious to see how they follow it up. Olatunji Yearwood and Mista Killa from the soca world are killin it. Sufjan Stevens, Cat Stevens’ son, has a very intense album out right now. Yemi Alade from Nigeria is also on a rocketship to worldwide listenership.
We’ve known about Noah Issa for a years now, through his remixes and original productions (for Mr. Lexx and others) blending dubstep, trap and other EDM vibes with the sounds of his native Jamaica. (Though he first came to our attention in 2013 with this remix of Bunji Garlin’s “Differentology.”) Now based in Brooklyn, he’s set to step out from behind the boards as an artist himself. We’ve heard the first two singles from his upcoming debut project, and we can assure you that the kid is onto something big, carving out his own lane with a sound that’s all his own. We can’t give away too many details just yet, but we’re positive you’ll be hearing his name a lot more right here in the coming months. For a slight hint at what to expect, check out his remix of indie band Mainland’s song “Outcast,” below. —Jesse Serwer
How would you describe your sound?
Future Ambient Psychedelic Gypsy Dub.
Tell us a little bit about the place you come from…
Kingston, Jamaica. I grew up listening to reggae and dancehall so that’s definitely had a big impact on the sounds I create.
Tell us about the moment where you knew you had broken through as an artist…
At birth.
What were your highlights in 2015?
Getting ready for 2016!
What should we expect to see and hear from you in 2016?
I have a lot of unreleased music that i have been working on.. so you can expect to hear some original songs very soon. We’re in the process of planning out our first releases of this year so I’m really excited.
Kick Raux is gearing up for an extra-large 2016 behind the boards. On the front lines of the constantly evolving Caribbean-EDM takeover, Raux is leading the charge with top artists from all corners hitting him up to lend some of that tropical-pop heat to their records. Some of his credits include the monumental “Nobody Has To Know” remix with Major Lazer, which is sitting at a cool 7 million plays on Soundcloud alone, contributions to Kranium’s recent album, Rumors. He’s also signed an record deal with Mad Decent, has launched his own imprint, Future Dancehall Records. Don’t say we didn’t warn you about this youth. —Deejay Theory
How would you describe your sound?
My sound is Future Dancehall. It’s not future music and it’s not dancehall. It’s a thing I officially started in 2014, where I began taking the Jamaican influences I grew up on and sprinkling it into pop music. I actually started further back, when I produced this remix. I was never credited so no one actually knows I did it, but the voice of my KickRaux drop is done by the female singer on this song, so I did get something out of it. This has been something I’ve been building for some time now, a lot of people started jumping on the movement as things started to pick up, not knowing what it is, or why it’s called that. Some people thought it was a re-branded moombahton or trap, but it’s none of those things.
I started Future Dancehall Records last year as an outlet for Caribbean people making music that had Caribbean influences that didn’t quite fit into the genres we expect Caribbean people to make. With the Internet, Caribbean kids are being influenced by things from everywhere. The next generation of Caribbean artists are going to be pushing and experimenting and taking the culture in places we couldn’t even imagine right now. I want to encourage that, and encourage that the music take an approach reachable to all listeners from all backgrounds. I released a few singles and mixes experimenting with it, the “Nobody Has To Know” remix being one of them. In 2016, I plan to dive more into the sound and take it to the next level.
Tell us a little bit about the place you come from…
I grew up in Waterford next to Caymanas Park Race Track in Spanish Town. When I was a kid, my friends and I used to watch the horse races while racing each across the rooftops in the neighborhood until someone would come and yell at us to get down. My family was far from well off but my mom always had me into something, I used to be on this karate show that JBL used to air when I was kid, I took piano lessons and, everyday after school, I used to walk to the library and read the American books. The stories made me think that, if you come to America, you can be anyone you want to be. It kinda became an obsession until I actually got the opportunity to migrate to the US.
Tell us about the moment where you knew you had broken through as an artist…
Probably the day Diplo reached out to work together. I first found out about him from back when he was doing the MIA stuff back in the day. I was actually on a project with him back then with SBTRKT and a couple others and I’ve been a fan of the works ever since. As an artist the thing that always really gets you is having people you are a fan of respecting your work. And it made it even better that the song did as well as it has, hitting No. 4 on iTunes and all that.
What were your highlights in 2015?
2015 was LIT. It started with an official remix with Motown Records, one of the greatest labels on the planet for black music, then I released a single on Mad Decent which so far has over 800k streams on Soundcloud. ZTAO, who is basically the KPop Justin Bieber, ended up jumping on it, shooting a video for it and that version went platinum in China in like a week. Then Major Lazer and I teamed up for one of the biggest songs in the clubs worldwide right now, the Kranium “Nobody Has To Know” (Major Lazer & KickRaux remix) and to end the year I dropped my mix Shabba Raux mix. I felt a lot of people were trying to take credit for my Future Dancehall movement but that project really cleared that up I think.
What should we expect to see and hear from you in 2016?
This year I am focusing my energy on developing myself as an artist, producer, songwriter, DJ and entrepreneur as well as on expanding the Future Dancehall brand. I spent the latter part of 2015 handling production for a lot of dancehall and dancehall-influenced artists, so there’s a lot of original music on the way. I started this year off producing the Carnival Remix of Runtown featuring WizKid’s hit single “Bend Down Pause” which also included Machel Montano. Up next is my single “Island Breeze,” which I shot a crazy video for. I also have some projects in the works with the legendary Godfather of Soca, Michael “Beaver” Henderson, my big bro TJ Records, some stuff with Chimney Records, a Future Dancehall EP in the works, and I am about 80% finished with my album due out this summer. I want to have the kind of longevity in my career as guys like the Kelly brothers, Sean Paul, Beenie Man and Shaggy, but do it in my own lane. So I’m going to take bunch of risks and put out a lot of music on top of touring and producing for other artists. No time off in 2016.
What artists are you watching in 2016?
I rate this Jamaican kid out of London his name is Doctor. You might not know who he is now but over the past year we have been silently working on a project and it’s crazy. I’ve played some of the songs for some of the biggest artists, producers and DJs in dancehall and electronic music, and everybody’s been going crazy asking me when it’s going to come out. A few labels heads have heard it and been trying to pick it up. Big, big year ahead for us both, big up Doctor!
Skip Marley is the next next-generation Marley. The son of Cedella Marley is living up to his name as the captain of his own ship, staying true to his family’s legacy of positive reggae, while giving us his own style and flare. Skip made his debut in 2015 with his single “Cry,” (one of LargeUp’s picks for 2015’s best reggae songs) and followed up with the tune “Life,” produced by the greats Sly and Robbie. His year ended with a slam, as he graced the pages of Teen Vogue and the airwaves on Revolt TV. Just two songs deep into his career, he is already standing on some solid ground. Bringing forth an eclectic sound of roots, reggae, and new wave, this is one Marley you don’t want to skip…— Jahneen Leslie
How would you describe your sound?
Well, it’s soulful with a nice energy. Inspired by reggae, R&B, electronic music, and more.
Tell us a little bit about the place you come from…
I was born in Jamaica, and was raised in Florida, around my entire family, playing football and music. I love where I am from, and who I come from.
Tell us about the moment where you knew you had broken through as an artist…
I still have works to do. But I feel very honored to see people sharing my music. It was pretty special to see people singing my music when I play with my uncles.
What were your highlights in 2015?
There were a lot of highlights, from releasing my first two songs “Cry to Me” and “Life”, and the Catch A Fire tour with my uncles, Morgan Heritage, and Tarrus Riley.
What should we expect to see and hear from you in 2016?
More music!
What artists are you watching in 2016?
My uncles, of course. I am a big fan of Diplo and everything Major Lazer. Kendrick Lamar is a true inspiration, and Ricky Mears who has remixed a few of my songs, he is also one to watch. But hey, the year has just started!
Having perfected his craft and popped up on a number of quality tracks over the last couple years, St. Croix native and Island Boy Cartel member Prya set to make a large-scale impact in 2016. A gritty and hardcore lyricist with a melodic delivery, Prya incorporates a broad spectrum of themes in his work, from heartfelt nostalgia to banging in the trap. He defies expectations and keeps things fresh, so we will definitely be keeping an eye on the island spitter. —Kaya.lah
How would you describe your sound?
My sound is hard to label, or put in a box. I would say it’s best described as island-influenced trap music with hints of reggae sprinkled on top. Very heavy emphasis on melody and harmony.
Tell us a little bit about the place you come from..
I’m USVI born and raised, St.Croix to be exact, with roots from NYC and Trinidad. Being the US territory in the Caribbean, we were heavily influenced by American culture but still uniquely island, which gave me the ability to be a Pandora’s Box musically. Being able to make sonically pleasing music but still be lyrically dangerous enough to go bar for bar with the best has definitely been an advantage for my career.
What were your highlights in 2015?
The release of my biggest single thus far, “Back Home In A Dream” and the accompanying music video. I also opened for Future, 2Chainz and Alkaline along with headlining the “Prya & Friends: Back Home” concert on St.Croix.
What should we expect to see and hear from you in 2016?
A heavy output of work. Consistent high quality material. Monthly music videos and a tour before year’s end.
What artists are you watching in 2016?
All Eyez on P!!! I’m really heavy into Tory Lanez in the rap world. Reggae-wise, I think Popcaan is about to dominate 2016. Be on the look out for a lot of dope talent emerging from the VI this year, too.
Hats off to Raging Fyah for the steady growth they’ve shown. They started out fresh out of Edna Manley College and strategized to take their band to the next level by staging their own monthly concert, Wickie Wackie Live, in Bull Bay, St Thomas. Fast forward to recent times which sees them traveling the world to spread their roots reggae flavor, amassing #Fyahsquad devotees. Two albums later, they have headlined tours in Europe, featuring on Billboard’s daily blog, signing with VP Records, and staging a successful upgrade of their five-year-strong concert series —Wickie Wackie Music Festival— last December, Raging Fyah is clearly poised for a big break. Lead vocalist Kumar Bent shared some insight into the exciting things they’ll be doing next. —Tami Tsansai
How would you describe your sound?
Kumar Bent: Roots rocking reggae – irie vibes.
Tell us a little bit about the place you come from.
KB: We are all actually from different parts of Jamaica. Each from a different parish.
Tell us about the moment where you knew you had broken through as an artist.
KB: I think artistes should never feel that way, but we do have a sense of pride knowing we have been working as a team to produce two studio albums, and managed to tour extensively around Europe and other countries. Now it’s about looking forward and continuing to grow. We feel very confident with the release of this third album and the works.
What were your highlights in 2015?
2015 was a great year for us but visiting our next door neighbor, Haiti, was a real eye-opening experience and a big influence on this new record.
What should we expect to see and hear from you in 2016?
Our new album Everlasting will be released and the first two singles will be out next month. We also have the Set In Stone tour coming up alongside the California-based Stick Figure band who asked us to be part of their nationwide tour of America, so we will be in the US from March to April.
Runkus (pronounced Roon-koos) is a name we’ve heard coming up more and more over the last 12 months. If that talk has escaped you, it won’t for much longer. The son of ’90s-era dancehall artist Determine releases his debut EP, Move In, through Germany’s Oneness Records Feb. 5th, and it’s sure to further his candidacy as one of reggae’s brighest new stars. The seven-song set features “Run” — one of our favorite reggae singles of 2015 — and “Move Yuh Feet,” a playful ska single that hints at Runkus’ appeal as a showman and live performer. After leaving a strong impression with his performance at 56 Hope Road for Bob Marley’s 70th birthday last February, and ending 2015 on the road with Ky-mani Marley, you can probably expect to see him onstage in a town near you sometime soon. —Jesse Serwer
How would you describe your sound?
I try not to stay confined to genres or styles. I believe there is no box. Style-wise, I find I just do music. Being where I’m from, Jamaica, we are deeply rooted in reggae so even if we are not trying to do reggae it is a part of us, and we mix it with anything we hear and feel. Anything that the music needs.
Tell us a little bit about the place you come from…
I am from Portmore. Great musicians come from Portmore. You have Kartel, Anthony B. All of them stayed close, back in that time, and lived close to each other. Each one would be at each other’s house, and I would see them all the time. My family is from St. Mary, which is more rural. That is a second home. In St. Mary, you have Capleton, Josey Wales, you name it.
Tell us about the moment where you knew you had broken through as an artist…
I would say when I left high school and said, This is what I want to do. I was 19. I got into the only college I applied to, applied to University of Tampa. I went there to visit — you know, orientation — to see the atmosphere. When I left, I thought I wouldn’t be living my dream. It would be the smart thing to do. But sometimes the smart thing to do isn’t always the right thing to do.
Right then and there, I said “ yeah man, music.” considered myself as a musician. until Protoje, Chronixx, you name it. Protoje heard my music one time. He saw me onstage and [complemented me], and I said, People are hearing me, I must be doing something right.
What were your highlights in 2015?
Touring with Ky-mani Marley. We went all the way up to North Carolina, St. Louis, Atlanta. The whole year was really nice. And I went to Colombia, too, and did a show with Ky-Mani, and I had a chance to buck up with Jesse Royal, and some of my peers.
What should we expect to see and hear from you in 2016?
Everything, full stop. I have a project releasing called Move In with Oneness Records. “Move Yuh Feet” is the single; we are shooting a video in the coming weeks.
We are writing an album right now. The album is totally different. Major Label Music is my main producer, they are producing a lot of my tracks. And Bassic Records. Them normally do dancehall but when we link up, anything goes, musically. That is the beauty of how we do music. I will link up with producers and have a tune already, or a chord progression, and we will just get it all together. Like the old days — everybody making music together. The pure way.
What artists are you watching in 2016?
I can’t wait to hear Kanye’s album, honestly. There are some underground Jamaican musicians that are really cool like D Burnz, Blvck Hero. Dem I ah always looking out for, they are like my brothers. Also Royal Blu, is on the project as well. I am definitely not watching Royal Blu [laughs].
Meet Xana Romeo, self-proclaimed dub empress and daughter of the legendary Max Romeo. Being born into a musical family, it was only a matter of time before Xana picked up the mic. Last summer she released her first single “Rate Rasta,” and earned herself two slots on Yaadcore’s Roots Dawta mixtape. She is in no rush to create music merely for the hype; Xana aims to create music that will stand the test of time. We agree — you can’t rush perfection. Keep an eye out for this empress as we patiently wait for more from this rising star in 2016. —Jahneen Leslie
How would you describe your sound?
Roots. Blending my dub obsession with my rootical message, and passion for reggae music.
My music is more of a feel, not a sound. I feel music, not hear it. I express myself along with the instruments. I can’t say who, or what, I sound like. You’d have to listen and feel for yourself.
Tell us a little bit about the place you come from…
I’m from the beautiful island of Jamaica. I was born in Kingston, but now live in the rural side of St Catherine. Ever heard of Linstead Market? Yeah, that’s where I’m from. The ackee capital of Jamaica! Not inside the market, but on the outskirts, in a fruitful community called Treadways.
Tell us about the moment where you knew you had broken through as an artist…
The reaction my music got on social media platforms. And I once overheard some patrons at Kingston Dub Club discussing their admiration for my lyrics and voice while having a conversation at the bar. I smiled, because I instantly realized that my music was actually impacting people in a positive manner, just as I intended.
What were your highlights in 2015?
I released two singles “Righteous Path” and “Rate Rasta.” I did a lot of shows locally sharing the stage with my Dad (Max Romeo) and brother (Rominal). My music was featured by magazines such as Vogue, Riddim and Irie Magazine and radio programs all over the world. I’ve had a lot of people reach out to me and giving me good reviews on my singles so far.
What should we expect to see and hear from you in 2016?
I leave for a European tour early this year. It is called the Max Romeo & Family Tour featuring Max Romeo, Rominal, and myself. I will be releasing visuals for my previous singles, and more to come. I’m currently working on two projects to be out this year. Trust me, there’s a lot to expect from Xana Romeo in 2016!
What artists are you watching in 2016?
Right now my eyes and ears are on Rominal and Micah Shemiah. I just love Micah’s style and voice, his music speaks to me on a different level. Even though Rominal is my brother, I respect and admire his creative process, and I have exclusive access to see him evolve into a great musician. He writes, sings, plays instruments, and makes instrumentals at such a young age. I’m left in awe everyday.
This 25-year-old Kingston native first graced the scene in 2013, and has been working with likes of Rory Gilligan of Stone Love to create a sound that we just can’t deny. Samory I wrapped up 2015 with his debut video for “African Daughter,” the track that opened up Yaadcore’s Roots Dawta mixtape. With a voice as smooth as velvet and a growing catalog, this hybrid of young voice and old soul is definitely one to watch out for in 2016. —Jahneen Leslie
How would you describe your sound?
I would describe my sound as unusual, soulful, and passionate..
What were the highlights for you in 2015?
Definitely filming my debut video “African Daughter,” and the growing support from my listeners, and the media.
What should we expect to see and hear from you in 2016?
I don’t want to give away too much, but you can expect a mixtape release in February/March.
What artists are you watching in 2016?
Jesse Royal, Imaaly, Kristine Alicia, and Racquel Jones.
For Sekon Sta, the son of the late and legendary Trinidadian calypsonian Merchant, a career on stage could not come more naturally: It was only a matter of time before he began penning his own tunes and performing. After appearances in Trinidad’s Junior Soca Monarch and National Extempo competitions, Sekon gained considerable public attention while competing on local channel Synergy TV’s Soca Star back in 2010. He returned to the big stage in 2015, and got some deserving recognition as “Breakthrough Artist” at last year’s International Soca Monarch with his hit “The Best,” on Advokit Productions’ Kan Kan riddim. A powerful performer, he is also a gifted songwriter who’s penned Trinidad Carnival and Crop Over hits for other artists including Nadia Batson and Barbados’ King Bubba FM. When not onstage, Sekon is an on-air personality alongside long-time partner in crime, Selecta K, on Trinidad’s Slam 100.5. The momentum continues into 2016: “Magic,” his collaboration with Nadia Batson, is emerging as a people’s choice, as he gets set to perform at this year’s Soca Monarch finals. —Marcha M. Johnson
How would you describe your sound?
High energy, capturing the energy of Carnival. Very versatile. I change how I sound every year. How I sound this year isn’t the same [as] how I sound last year.
Tell us a little bit about the place you come from…
I come from the land of soca and calypso, so it’s very natural for me to gravitate towards the indigenous artforms of Trinidad and Tobago. Our beautiful sister island nation is the mecca of Carnival, with an abundance of cultures and colors — mini paradise which inspires the happy sound of soca, which I would say is at the core of my sound.
What were your highlights in 2015?
Well, I was a breakout artist at International Soca Monarch, overall for the year, and I mash up the place.
What should we expect to see and hear from you in 2016?
More smashes. To do better than I did last year, for me to become more in tune with myself as an entertainer, and go from strength to strength because each year is a new lesson learned.
Tell us about the moment where you knew you had broken through as an artist…
Last year, with “The Best,” I was a topic of discussion for the whole country, especially after my Soca Monarch performance.
What artists are you watching
I tend to look at myself as the only one in the race. To win, you don’t look in the other sprinter’s lane. That being said, I respect all the new generation and all the veterans because everyone has a contribution.
Though he’s been steadily working in the roots/reggae space for several years— releasing his self-produced debut album Rastaman Meditation in 2009, mashing up shows at home and touring extensively in Europe he’s in very high demand in Europe) — Micah Shemaiah has kept a low profile. In fact, many argue that only true reggae fans, insiders even, are privy to his brilliance, but we had to go there… after all, good music deserves to be shared. The former paralegal writes his lyrics, plays the guitar and is actively involved in the overall production of his music. Impressive, yes, but even more so is his voice. Think of the unique potency and passion identifiable with such greats as Bob Marley, Dennis Brown or Barrington Levy, add some Rasta-conscious lyrics, on-point production and boom: Micah Shemaiah. His reggae/soul fusion and raw, soulful messages are uniquely spiced, yet nostalgic, causing one to reflect, reminisce, even get up and dance (can you say Eezy Breezy?) After listening to his killer Original Dread album dropped late last year, we are convinced he’s set for bigger things. —Tami Tsansai
How would you describe your sound?
I don’t really have a description for my sound really, I have been influenced by all the good sounds of music. Growing up. I tried my very best not to sing other people’s songs so that I would not be directly influenced by their own sound. My sound is original, I think.
Tell us a little bit about the place you come from.
The place where I come from I am yet to find, still trodding…
Tell us about the moment where you knew you had broken through as an artist.
I am not really an artiste, I just love music and good vibrations. I know what the standard is and I strive to be at that standard in music, so as the standard rises, so does the response from the people. Music is but a tool to achieve the goals of the Father. I use my gifts at his will.
What were your highlights in 2015?
The birth of my son, Zion.
What should we expect to see and hear from you in 2016?
This year I should be greeted by the troubles that await the rise of a musical vessel, but within this I still work to maintain my spirituality thus providing good music – as I should be – for the people.
Which artists are you watching in 2016?
I don’t really watch the artistes, I listen to the sounds and the message enuh. From what I hear there are many ones both locally and abroad that are coming with powerful sounds. I just pray the good messages we sing is the trod we strive for, and if the media focuses more on the message than the artistes, then the people will be engulfed with the powerful messages and not ‘star’ personas. Artistes can’t handle being lauded everyday of their lives, trust me. They will act like they can, but they eventually end up with a complex which normally leads to self destruction.
Rising star Vershon has a lot to be thankful for in 2016. The artist born as Adrian Brown took the Jamaican airwaves by storm with his dynamic hit “Inna Real Life,’’ a song we named No. 4 on our list of 2015’s Best Dancehall Tracks. The dynamic deejay also has a compassionate side, having provided meals with Food for the Poor to feed hungry people in Kingston’s inner city. Now, he is cooking up new music in the studio with Birchill Records for his upcoming album entitled Unoffical. Take a moment to get to know the humble and vibrant spirit behind this outgoing dancehall emcee. —Leanne Fairweather
How would you describe your sound?
My style and image is different. I would describe myself in these words: talented, easygoing, and humble.
Tell us a little bit about the place you come from…
Kingston 11. I’ve lived a simple life. I went through some hardships, being raised by my mother, and my father was not present. However, I have a lot to be proud of.
Tell us about the moment where you knew you had broken through as an artist…
From when I was in high school, I won competitions at the Fair Day and talent shows. My teachers would encourage me, and compliment my singing voice. I started taking it as a career from 14 years old rapping with my friends.
What were your highlights in 2015?
Definitely “Inna Real Life” – I got a big break with the song. Some other releases I had were “Boom” and “Ruff Up the World.” But it was definitely “Inna Real Life” that launched my exposure. Everything happened so fast. It was quite unexpected, but I owe it to the fans that supported it.
What should we expect to see and hear from you in 2016?
A lot of projects: Especially more music for the ladies. There will be new songs, videos, and plenty of visuals. Also look out for a release date for my album, Unoffical.
What artists are you watching in 2016?
Well you know I as an artist Vershon nuh really watch artist. But my main influences are: Vybz Kartel, Supercat, Beenie Man, and Bounty Killer.
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