Jul 25, 2014
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Posts tagged: Electro

Mixtape Mondays: Federation Sound, Ackeejuice Rockers x Top DJ, DJ Trends

Words by Deejay Theory

MM 34

The summer flow continues at Mixtape Mondays with heavy new tapes from the merciless to the mellow. Raw dancehall and heavy bass meet breezy remixes from NYC to Italy to the beach and back again. Run chune below.

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Audio: Bermudan Bass from Noise Cans

Words by Deejay Theory —

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It’s only appropriate we hip you to the latest development in the constantly growing and evolving Electro-Caribbean crossover domain, this time coming like a comet straight from Bermuda. It’s WMC season down in Miami and this one arrived on our doorstep just in time to ramp up the vibes and touch D electronic road. The debut project via Bad Manor from new group Noise Cans and the traditional Gombey masked artist COLLAS is heavy business, combining authentic spirit with modern day art, music, lights and straight up rebellion. We can definitely ride for that around here. Make sure you keep ears and eyes locked on this team and stream the mix below, download here

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Toppa Top 10: Jillionaire’s Top 10 Electro-Caribbean Crossover Tunes

Selections by Jillionaire, Photo by Damion “LoOkYah” Baddy

Watch-Out-For-This-Major-Lazer

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Toppa Top 10: The Baddest Mixtapes of 2013

Words by Deejay Theory —

MM 13

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Mixtape Mondays: Major Lazer, Smutlee, Safari Sound, Bud E Green

Words by Deejay Theory —

MM 45

Welcome to another edition of Mixtape Mondays. We’re back to add the necessary soundtrack to your week with vibes from a global roundup of deejays. From one drop to big room, and culture to cardio, we keep the ting versatile with something for everyone this week. Go in below.

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You Rate It: David Heartbreak’s “The Foundation”

Words by Deejay Theory —

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Hustling bass maker David Heartbreak just dropped his first official solo record, a seven-track offering of electronic compositions showcasing what the man has been up to this past year or so in the lab. If you remember, we hipped you to Heartbreak’s Caribbean roots and some of his moombahton / dancehall crossover joints in the past; subtle layers of reggae and dancehall influence course through The Foundation, which dips into dubstep, rave, electro, acid, trap. The project was released by Skrillex‘s imprint OWSLA, obviously a huge look. Let us know how you rate the release in the comments section. Stream the album below, purchase on Beatport here.

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